latest news from tenzenmen

One free ticket for Wormwood Fest to giveaway!

Wormwood Fest is a wonderful little boutique festival taking place on Jan 27th-29th about 1.5 hours drive south of Sydney.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Here’s some information on the event and a list of the artists taking part:

WORMWOODSTOCK :: absinthe & psychedelia & camping!
Friday January 27th 1pm – Sunday January 29th 3pm

- an intimate DIY psychedelic/experimental/rock/electronic/garage/glitch/noise festival with all you can expect at a ‘usual’ Wormwood but outdoors and for the whole weekend!
-2 nights camping 1.5 hours from Sydney, 2.5 hours by train – train station 10 minutes drive away
- 40+ bands and solo artists, DJs, visuals and antics
- totally not for profit and not sponsored, we just want to organise a good time!
- Thursday the 26th is a public holiday so we suggest you take Friday the 27th off too and head over

LINE-UP
Blastcorp (Kris Keogh NT)
Brackets
Document Swell (VIC)
Domeyko/Gonzalez
Drachemann (DJ)
Dreamtime (QLD)
Eclectic Gypsyland (DJ)
Feathers (QLD)
Gelido
Ghastly Spats
Ghost_
God K
Gold Model
Golden Disko Ship (GER)
Jasmina Maschina (GER)
Jusgo Mosh
Justice Yeldham
Kang Gang
Kasha (ACT)
Kris Keogh (NT)
Lizards
Loz Nonsense (DJ)
MoR (Master of Ribongia)
Nakagin
Nellie – Doublegood Records (DJ)
No Art
Oscillateur
Proximity Butterfly (CHI)
Pyramid Scheme (DJs)
Rayon Moon (VIC)
Red Hymns (VIC)
Simon – Psychonanny & The Babyshakers (solo)
Scattered Order
Spaceticket
Svelt
The Fighting League (ACT)
The Ovals (VIC)
The Walk on By
Thomas William
Trjaeu (VIC)
Wild Dog Creek (VIC)
Yolke(VIC)
Zeahorse

Wormwoodstock is presented by Octopus Pi and supported by New Weird Australia.

FB event: https://www.facebook.com/events/251888554882349/

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Looks pretty good, right?  And tenzenmen is giving you the opportunity of one free ticket for the whole thing!  Why?  Because we want you to go see Proximity Butterfly, who’ve come all the way from China, play for you as the sunsets on Friday Jan 27th over the grassy mountains with sheep frolicking and….you get the picture!

What do you have to do?  Just email me at tenzenmen@tenzenmen.com and tell me you want it!  Instructions and location details will be sent to the winner!  Be quick – this is next weekend!

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Yes I’m Leaving + Nothing CD

Influenced by grunge, post punk, hardcore and shoegaze, Yes I’m Leaving also have a strong DIY mentality.

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Hinterlandt – Migration Motion Movement CD review (Cyclic Defrost)

by Nick Giles

Sydney native Hinterlandt must have a very active brain. One second he’s playing a steady trumpet line, before suddenly turning 180 degrees and careering off to the pace of rapidly shifting drumlines, then suddenly halting completely and dropping some serious dub rhythms. And that’s just in one minute. However, beneath this limitless shifting it’s evident that nothing is done without reason, as each section blends to the next with a deft precision. This is the work of a highly skilled, inquisitive, and highly erratic mind.

Opener ‘Migration’ opens steadily with a reflective trumpet motif, before sneaking a snippet of math-rock noodling from almost nowhere. As a single guitar and basic beat take the lead, synths filter in an out as distorted guitar swell ebb and flow. The math leanings return in a big way. With such a disparate collection of instrumentation and note movement, I can’t help but draw comparisons to early Mars Volta material: single tone guitar raging away as brass and synths shuffle and sing together atop an endlessly reconfiguring beat. As the track slows and builds again like a tide, it gently morphs into what could be considered dub territory, with a massive sine bass holding down a easy trumpet swing. Things get more dubby as they reduce, panned echoes pop around the stereo field as the beat disintegrates. Flutes and mallets hum out a quiet moment of reflection, before field recordings of lorikeets an coconut windchimes transport us to a suburban Sydney backyard. Swaggering dub lifts the mood, before industrial guitar and drums blast through the pot smoke, grinding along before the birds return. Phew, that’s track one done. ‘Motion’, as the title implies, moves with purpose. A lone trumpet leads the melody for the first third, changing time signatures as the head weaves its way. Delayed guitar takes its place as things get funky. Breaking the piece down to its core, the timing bends into almost a 15/8, if such a thing exists. Plucky organs and ticking blips complete this math workout. Funk guitar blasts open ‘Movement’, which sounds for all intents and purposes like the theme to a 70s cop flick. Western trumpet tones break the momentum momentarily, before the unstoppable bassline that is the backbone of this piece slides back in. Europop startles the funk out of existence, as distorted drums hammer it out off a skittery organ. As the track gets its math jacket back on, blasting its way to the end, woozy synths surface for a last gasp of air, before blastbeats pound them down and close out the release.

There’s a lot going on here, and it can be difficult to keep up. But between the endless genre-hopping, there’s an amazingly heady and accomplished mix of well-executed instrumentation, with a keen ear for interesting melodies and spacial refrain. If you can keep pace with this, it makes a highly rewarding listen.

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DEAD – New Zealand Tour – Feb 2012

Two piece DIY Punk/Sludge unit DEAD are touring in support of their debut LP – THUNDAAAAAH! It’s a great album and you should probably buy it.

Released on LP/Digital via their own label WeEmptyRooms (Hard Ons, Fire Witch, Dad They Broke Me etc.) the band has already toured South East Asia and USA extensively to promote the albums regional release on LP (WantageUSA) and Cassette (Ricecooker/Tenzenmen).

DEAD features members of Fire Witch, Fangs of… and Inappropriate Tough Guy Behaviour.

Their U.S tour with Unstoppable Death Machines saw them play 30 dates right across the country including shows with Hammerhead, Vaz, Gay Witch Abortion, Hex Machine, Thrones and label mates Big Business, White Shit, Pygmy Shrews and Japanther. All those bands were great but DEAD are better.

In South East Asia they trained, planed and bussed between Malaysia, Singapore, Java and Philippines including a bill with seminal punk band Carburetor Dung.

In Australia they have run up and down the east coast more times than one cares to count, visited places few bands of their ilk ever play, supported Earthless (USA), Cough (USA), Eagle Twin (USA), Monarch (France), Hard Ons and more and gotten very loud and very sweaty in living rooms, record stores, galleries and pubs along the way.

All this in less than a year of existence!

In short; DEAD don’t fuck around.
They print their own merch on non sweat-shop and recycled garments, tour relentlessly and show no signs of slowing down. A DEAD show is a full body experience. It is not for everyone but can you risk not finding out?

DEAD will play the 6th Camp A Low Hum music festival as well as a string of other North Island dates.

Feb 8th – Whanganui: Arc Theatre – ALL AGES
+ Mr. Sterile Assembly & Night Terrors

Feb 9th – Palmerston Nth: The Royal
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Feb 10/11 – Camp A Low Hum – ALL AGES

Feb 12 – Wellington: Freds* – ALL AGES
+ Mr Sterile Assembly

Feb 16 – Great Barrier Is: Old Bike Shop* – ALL AGES

Feb 17th – Hamilton: Static
+ God Bows To Math, Viking Weed

Feb 18th – Auckland: Basement – ALL AGES?
+ God Bows To Math

Feb 19th – Tauranga: House Show* – ALL AGES
+ Threat Meet Protocol

Feb 20th – Auckland: House Show* – ALL AGES

http://www.youtube.com/watch?v=CwoXCRVh338
http://www.deadsounds.com/

Labels:
http://www.WeEmptyRooms.com/
http://www.wantageusa.com/
http://www.tenzenmen.com/
http://www.ricecooker.kerbau.com/

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DEAD + THUNDAAAAAH! review (vinyl version)

originally posted to metalobsessison.net here

Melbourne’s DEAD are a sludge/punk duo who have years of experience playing in the Australian music scene, though they’ll never tell you that. That band consists of Jem on drums and Jace on bass/vocals and.. that’s it. The entirety of DEAD’s rather epic sound on their debut “THUNDAAAAAH!”  emanates from these two members. As a result the album has a very bass driven sound, much like their Brisbane contemporaries No Anchor’s Real Pain Supernova. However DEAD have quirkiness that No Anchor lack, with certain sonic elements more akin to Big Business and the Melvins. The bass player does an excellent job of filling the melodic gap left by their lack of a guitarist with aggressive yet melodic bass riffs and aggressive vocals, while the drummer does a superb job of keeping the groove machine going, an important aspect for a band that is essentially a rhythm section.    

The first half of the album has a very punk/hardcore feel to it, with shorter songs like “You Just Lost My Appetite” and “Preventable Disease”. Things take a turn for the weird (but certainly not worse) with the fourth track, “Wherever You Go We Will Catch You”. It starts off slower than the other songs and even features some whistling. It’s a touch reminiscent of those strange ten minute tracks of the Melvins, like “Lividity” or “Spread Eagle Beagle”, weird and kind of out place, but enjoyable none the less.

The album now takes a turn towards a slow sludgey sound, starting with the slow, ominous instrumental “We Don’t Take Advice”. It sets the mood for the nine minute funk epic, “Prick Rodeo”, which is one of the longer and better songs on the record. It starts off with an undeniable groove that DEAD just jam on, Jace throwing in a couple of awesome bass riffs before his screamed doom vocals burst through the insatiable rhythm. Suddenly the funk is brought to a stop, and replaced with a menacing downtempo section, with Jace doing his impression of the singer from Big Boys. The song marches to its own end at this pace, slow, steady and rather doomy.

This sluggish pace is continued by the next song, “Of All The People I Hate Most I Hate You More”, a song of pure misanthropic doom and rained out sludge. The song marches along, the singer’s vocals fuzzed up and blurred in the background, building a whole dark and tense atmosphere around the song as it ploughs to its finish after eight minutes of slow, snail paced movement.

The last track is a cover of The Stranglers’ “Shut Up” and features an awesome bass solo, and is a rather quirky and interesting way to bring the album to a close.

DEAD have managed to fuse punk and sludge together on a single record, and it works surprisingly well. There are plenty of fast in your face songs, and plenty of slow doomy songs. If you enjoy the Melvins, Big Business and No Anchor, then I must insist you find a copy of this record. It’s not a decision you will regret.

9/10

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Proximity Butterfly Reprieve CD review at City Weekend Shanghai

by Dan Shapiro – original here

A complex and sophisticated effort, Reprieve: The Auspicious Occurrences of Dr. Chen’s Past Lives (Maybe Mars), the latest release from Chengdu heavy psychedelic quartet Proximity Butterfly, is a 58-minute odyssey through a fictionalized account of the very real Wenchuan Earthquake that sent shockwaves throughout China in 2008.

Beginning with the Sichuan-opera influenced “The Thousand Faces,” Reprieve travels from one sonic landscape to the next, crafting a fine line between beauty and violence to tell the sobering tale of a man stuck beneath the rubble, hallucinating and fantasizing while helping victims of the natural disaster.

Mixed and mastered by Proximity Butterfly frontman Joshua C. Love, the album, the band’s fifth studio release and first since 2008’s The Antikythera Mechanism, is a definite victory for a band that’s been at the forefront of the Chengdu rock scene for the better part of a decade, a complete concept piece that strikes listeners with its aural maturity, crafty songwriting and skillful studio production.

Of note are the industrial tinged “Aggress,” eerie funk rocker “Tiptoes of Shiva” and jazzy space-jam “Vanity,” songs that exemplify Proximity Butterfly’s mix of hard and progressive rock and use of time signature changes and tempo shifts.

While Reprieve sees Proximity Butterfly further carving their niche as China’s top flag-bearers of psychedelia, the band, at times, too closely references their influences, best heard on the ethereal acoustic-driven “Sacrifice,” which has a striking resemblance to The Mars Volta’s “Televators.”

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Proximity Butterfly Reprieve CD reviews at BeijingDaze

original post here

‘Daze Review:

I’ve been keeping both eyes on this band for a while now as one of the most exciting bands in China that is not based in Beijing. I’ve quite enjoyed their previous records, especially Arcana! The latest one, from 2008, failed to grab me as much despite some interesting sounds. How would the new release measure up?
Much was made about this record’s connection to the Sichuan Earthquake and it’s evident in the dark edges that surround pretty much every song. The introkicks things off with an dreamy instrumental that reminds me of the Tibetain song of the dead, and even if it’s not, it sets up the field for what’s to come.
Tiptoes of Shiva, the following number, is haunting! I have had the song stuck in my head for a few days already. It’s easily the strongest number as far as i’m concerned with great vocals, interesting progressions and tempo changes. I can’t wait to check it out live.
Aggress is the other song that stands out! Extremely heavy with unmistakable influences from early 70s hard rock and metal, akin to Sabath and Maiden… It’s freaking heavy, violent with extremely distinctive vocals. The other songs, while all good, fail to stand out as much in my opinion. That’s to be attributed to how good the other songs above are.
The song Earthquake is a bit baffling when you just get the audio. It’s a weird cacophony of unrelated sounds, heavy beats, humming and more…. I’m assuming this one will stand out live as well.
Overall, one hell of a good record, befitting my expectations of the band and probably the best non-Beijing release of the year so far.

Ruby Review:

Two new CDs arrived in my hands this week and both are distinctly related, yet sound so different. The first “The Harbour Union” a blues/country collection Christchurch musicians put together to support rebuilding the city after it’smultiple devastating earthquakes over the last 9 months. The second “Reprieve: The Auspicious Occurrences of Dr. Chen’s Past Lives” a concept album by Chengdu psychedelic rockers Proximity Butterfly based around theWenchuan earthquake of 2008.

To say I’ve been waiting for this album and the China tour that goes along with it could be a slight understatement! I discovered Proximity Butterfly at Midi in May 2010 and since I stumbled across their 2008 album ‘The Antikythera Mechanism‘ in C-Rock, It’s become one of my most listened to Chinese albums. This show has been marked in my calendar as unmissable for months now, I hope my parents understand my ditching them for one night (yes, I did offer to take them!)

How to describe Proximity Butterfly’s sound to those who’ve never heard them?Passionate, ethereal, hard rock, I’ve heard them compared to Pink Floyd andThe Mars Volta, but I think also they sound a little like Wolfmother, especially the song ‘Tiptoes of Shiva‘. ‘Reprieve‘ is a psychdelic journey through the eyes of those in Sichuan during the earthquake, from eerie rumblings of ‘Ruin‘, to the soulful wailing of ‘Sickness‘, and the thunderous riffs of ‘Agress‘. Lead singer Joshua’s soaring vocals and clever lyrics lead the listener though the story. I like how this album includes Chinese lyrics as well as English, and also traditional Chinese instruments begin the journey before the quake on ‘The Thousand Faces‘. The band produced and mixed the album themselves in true indie fashion and have created an exceptional follow up to ‘The Antikythera Mechanism‘. I’m looking forward to seeing them live on Saturday!

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tenzenmen in 2011

what happened at tenzenmen during 2011?  released some things, toured a little, helped some friends, took some photos and lost (i mean invested….) a lot of money!

releases wise it was a pretty busy year as i get continued interest from china to license albums for oz and out of that getting continued interest from the rest of the world in what’s going on there.  let’s hope australia can pioneer this interest instead of looking to europe and the us to be told what’s good.  we have lots of great people here in oz doing great work at promoting new music and tenzenmen will also continue to support interesting and innovative new musicians here.  it’s pretty exciting!

click on the links to hear complete albums in full and if you feel so inclined, purchase digital or physical copies.

January:

To The North (Aus) – Lustre CD

February:

Low Wormwood (China) – We Can’t Help Kissing Each Other CD

SMZB (China) – Ten Years Rebellion CD

Joyside (China) – Booze at Neptune’s Dawn CD

Joyside (China) – Maybe Tonight CD+DVD

March:

Xiao He (China) – The Performance of Identity/One Man’s Orchestra 2xCD

10 (China/Japan/Korea) – Kitsch CD

8 Eye Spy (China) – How Damn Far to Yinma Lane? CD

Guai Li (China) – Flight of Delusion CD

April:

mr sterile Assembly (New Zealand) – Transit CD

Dear Eloise (China) – The Words That Burnt CD

Bang!Bang!Aids! (Australia) – Rat Charm CD

Bone (Australia) – Face Prison CD

Hot and Cold (China) – Any Monkey is Dangerous CD

Michael Crafter (Australia) – A Hessian’s Confession 7″

May:

Orlacs Hände (Australia) – CD

June:

Lava Ox Sea (China) – Next Episode: Lord Smart Vs Dr Jin CD

July:

Rainbow Danger Club (China) – Where Maps End CD

August:

DEAD (Australia) – Thundaaaaah! tape

Crouching 80′s Hidden Acronym/Rara Avis (Australia) – split CD

Nikko (Australia) – About the Spirit 7″

September:

Hinterlandt (Australia) – Migration Motion Movement CD

Demerit/SS20 (China/Germany) – split 10″

Traveller (China) – Travelers CD

Liu Kun (China) – Hey, Young Man CD

October:

Carsick Cars (China) – You Can Listen, You Can Talk CD

97-Shiki/Bare Arms/Inquiry Last Scenery/Milvains (USA/Australia/Malaysia/Italy) – split CD

Various Artists (China) – Zoomin’ Night Live Recordings Vol 1 CD

Various Artists (China) – Generation Six CD

November:

Dead Ants Rainbow (Australia) – Selectively Mute 2xCD

December:

Proximity Butterfly (China) – Reprieve CD

that’s a lot of music!  and whilst you may not like everything in that list i feel i can maintain a high standard of quality – tenzenmen doesn’t release bad music!

in amongst all that was a successful tour (though by no means covering costs) by Carsick Cars plus a little bit of help here and there with other travelling bands both oz and overseas.  the sino-australian music exchange has continued to support bands travelling to china and more next year with bands coming here.

photos wise you can check out either my personal facebook (Shaun Tenzenmen) or my flickr site:

http://www.flickr.com/photos/tenzenmen/

most of the pix were taken at shows at black wire records which is an amazing space that is helping to support the local DIY scene – mostly punk and hardcore but crossing over a lot more recently as bands are starting to realise the importance of spaces like this over the regular pub venues.

2012 will be another exciting year i can feel already.  add www.tenzenmen.com to your rss readers to stay up to date!  please pass on all the music links in this note to any of your friends interested in checking out new music they probably won’t hear anywhere else.

to provide further incentive from january 1st til the 8th customers can buy one get one free!  just request the second item when you paypal thru your order. easy!

see you soon!

shaun/tenzenmen

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Hinterlandt remix album available for free download from Feral Media

FM64 | HINTERLANDT Presents: Through The Motions
CATALOGUE: FM64
ARTIST:
 HINTERLANDT PRESENTS
TITLE: 
THROUGH THE MOTIONS
FORMAT: 
DIGITAL
RELEASED: December 2011

hinterlandt - feral media

 

 

 

 

 

 

 

 

 

 

 

 

TRACKLISTING:

1. Particle Motion – Broken Chip
2. Motion Sickness – Puzahki
3. Mouth In Motion – AFXJIM
4. One Element Stabbed Into The Black Of Eternity – Lawrence English
5. Kosmische Bewegung – Telafonica
6. Transmotion City – Godswounds
7. Motion Detectorz – Simo Soo
8. Motion/Static – Seaworthy

ARTIST(S):

The original track Motion was written and performed by Jochen Gutsch.
The remixes/re-workings contained on this release were created by the respective artists.

RELEASE DETAILS:

In September 2011, Hinterlandt asked fellow Australian artists Broken Chip, Puzahki, Afxjim, Lawrence English, Telafonica, Godswounds, Simo Soo, and Seaworthy to create their own music based on a handful of tiny sound snippets that were taken from the original Hinterlandt track Motion.

The open briefing and limited source material led to a compilation that is fresh, surprising, and decidedly experimental in its nature. While glimpses of the source material peak through here and there, the results are as diverse as the artists themselves. From driving electronic beats via industrial drones and ambient sounds to psychedelic prog rock – Through the Motions is a pro-diversity statement showing what artistic creativity can achieve.

Hinterlandt is deeply honoured by the results and would like to thank all the artists involved as well as Feral Media for their efforts, their resourcefulness and their patience. Furthermore, thanks go out to Istanbul-based photographer Refik Anadol for the great cover image.

The original Hinterlandt track Motion is part of the album Migration Motion Movement, released in September 2011 by Tenzenmen and Bird’s Robe Records.

Album artwork:
Photo: Refik Anadol
Design: Jochen Gutsch

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Proximity Butterfly – Album of the month From Chengdu-based psychedelic rock quartet. (Time Out Beijing)

original page here

The fifth studio album from Chengdu-based psychedelic rock quartet Proximity Butterfly may well turn out to be among the top albums of 2011. It offers a level of rock ecstasy unmatched in Beijing, along with heavy guitar riffs and hypnotic yet violent instrumentals. The fact that Reprieve was inspired by the 2008 Sichuan earthquake even adds pathos to its musical depth.

The album offers up dark, hallucinatory stuff in ‘The Thousand Faces’, ‘Ruin’ and ‘Sickness’; while great tempo shifts, eclectic guitar solos and heavy distortion can be found in ‘The Sex’, ‘Tiptoes of Shiva’ and ‘Babies In Trees’. The seven-minute-long ‘Emperor’, on the other hand, is the most mind-blowing track. Multi-instrumental guru Douglas Li plays enchanting – and sometimes almost flirtatious – tunes on his urheen (a Chinese string instrument) in harmony with the inexhaustible psychedelic guitar of Joshua C Love. Reprieve captures a band at the height of their musical powers.

 

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